Hayley Williams Expands 'The Hayley Williams Show' Into a Full 2026 Tour

Hayley Williams has turned what initially looked like a handful of solo shows into a proper 2026 run. The Paramore singer's The Hayley Williams Show now spans North America and Latin America, beginning September 3 at iTHINK Financial Amphitheatre in West Palm Beach, Florida, and running through a November 27 date at Coca-Cola Music Hall in San Juan, Puerto Rico.

The framing matters because Williams' solo work has never felt like a side quest so much as a parallel language. Petals for Armor and Flowers for Vases / Descansos pulled her away from Paramore's arena-scale release valve and toward something knottier, quieter, and more interior; last year's Ego Death at a Bachelorette Party widened that palette again. A tour built around all three solo albums gives those songs a different kind of room than a Paramore set can offer.

According to NME's report, the shows will feature material across Williams' three solo albums plus “some exciting surprises.” North American support comes from Magdalena Bay and Rico Nasty, a pairing that makes the bill feel less like a nostalgia lap and more like a deliberately weird pop-rock ecosystem: synth-pop maximalism on one side, serrated rap-punk energy on the other. Annie DiRusso supports the Latin America and Puerto Rico dates.

Ticketmaster currently lists artist presales for multiple U.S. dates beginning May 12 at 10 a.m. local time, with general onsale for several dates beginning May 14 at 10 a.m. local time. The NME report also notes that $1 from every North American ticket sold will benefit REVERB and Support+Feed.

The run includes two sold-out Forest Hills Stadium shows in Queens and two sold-out Hollywood Bowl nights in Los Angeles, plus amphitheater stops in Atlanta, Charleston, Charlotte, Raleigh, Boston, Detroit, Cincinnati, Tinley Park, Seattle, Mountain View, San Diego, Houston, New Orleans, and Southaven. The Latin American leg includes Bogotá, Rio de Janeiro, São Paulo, Buenos Aires, Santiago, Lima, Mexico City, and San Juan.

Williams has spent the last few years making the line between Paramore and her solo catalog feel less like a wall and more like a pressure valve. This tour should sharpen that distinction. The songs that were too strange, too wounded, or too private to sit cleanly in a Paramore cycle now get their own architecture, and the support choices suggest she is not interested in making that architecture predictable.